Digital artist
A documentation page of rambling and experimenting.
@jessiehaseyes
jessiejiranzhai@gmail.com
Digital artist
A documentation page of rambling and experimenting.
@jessiehaseyes
jessiejiranzhai@gmail.com
DUMBO
SAN HUAN HEAL - NINA CHANEL ABNEY
Nina Chanel Abney’s whimsical installation at David Geffen Hall addresses the gentrification that reshaped the very location where Lincoln Center now stands. Through bold shapes, illustrations, and lettering, Abney’s work highlights Black and Brown pioneers across various fields, emphasizing the displacement of Black and Puerto Rican communities from the San Juan Hill neighborhood.
The artwork integrates into the window panels, with semi-transparent stripes and dots taped onto the glass on either side. Although the installation spans the wall of an eight-story building, it blends naturally into its surroundings without disrupting the architectural structure. The simplicity of the shapes and colors evokes the aesthetics of posters and advertisements, yet upon closer examination, each panel distinctly references specific figures and historical moments, inviting viewers to explore further.
Against a baby blue background, Abney assembles a striking portrait of Thelonious Monk, a San Juan Hill native and pioneering figure in jazz, known for his innovative bebop style. His initials are playfully positioned on the side of the canvas, while musical notes float from his pipe, symbolizing his lasting influence.
On another panel, two identical hands are placed beside white polka dots, representing the story of the Charleston dance—a movement rooted in West African traditions and later popularized in San Juan Hill. As the neighborhood changed and access to performance spaces decreased, Black performers traveled beyond the U.S., spreading their culture worldwide.
Abney employs a playful yet powerful approach to narrating the history of displacement and gentrification while celebrating the rich cultural heritage that emerged from the community. Through intricate design and layered storytelling, she invites viewers into a world of resilience, pride, and joy. Her work radiates a deep sense of history and perseverance, ensuring these stories are seen and remembered.
References
Lincoln Center
Public Art Fund